The Concert No. 99
Program Overview

Léon Bakst, Anna Pavlova in the Ballet “Oriental Fantasy” (detail), 1913

Podcast No. 99
The Romantic-Tempered Clavier (37.56 MB)
Work for solo piano performed by pianist Cecile Licad.

Chopin: Twenty-four Preludes, Op. 28

In the Romantic era, “preluding” was a common practice. Before or between set pieces on a program, the pianist would often improvise a brief prelude, to establish the mood and key. Chopin was an expert at that art, but his composed Preludes were quite different, and as such somewhat confounding to his contemporaries. The set of 24 short pieces—one in every key—wasn’t intended as a compilation of introductory material, but rather a complete cycle unto itself. In that way, many have noted, they took more inspiration from Bach’s Well-Tempered Clavier—also a set of keyboard works in every key—than from the traditional Romantic conception of a prelude.

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We’d like to thank the following individuals and institutions, without whose help this project would not have been possible:

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